Lab (also called CIELAB or L*a*b) is a three dimensional color space designed to approximate human vision, as opposed to the RGB color space which models the output of physical devices rather than human visual perception. It keeps the tone (also called lightness or value) separate from the color, so that you can adjust one without changing the other.
- The L component closely matches human perception of lightness.
- The a component defines how green/magenta the color is.
- The b component defines how yellow/blue the color is.
When using the Lightness slider in the Lab section, a tone curve is applied to the L-channel of the Lab color space. As with the brightness slider in the Exposure section above, the black point and the white point do not move.
The contrast slider in Lab increases or decreases the contrast of the photo, again applied to the L-channel. In developer's terms: this slider applies a contrast curve centered at the average lightness level. Tonalities above the average are lifted (lowered), while tonalities below the average are lowered (lifted).
The Lab Chromaticity slider increases or decreases the chromaticity of the image, by applying a contrast curve to the a- and b-channels of Lab space. Setting this slider to -100 removes all color, making the image black and white. The best way to convert an image to black-and-white is by using the dedicated and powerful Black-and-White tool in the Color tab.
The "B&W toning" checkbox is deprecated from version 4.0.12 and is replaced by the Black-and-White tool located in the Color tab. For backwards compatibility, when opening processing profiles where "B&W toning" was used, the Chromaticity slider will get automatically set to -100, providing the same effect.
Avoid Color Shift
Fits the colors of the image into the gamut of the working color space and applies Munsell correction to retain color purity.
Restrict LC to Red and Skin Tones
When enabled, it restricts the effects of the Lightness According to Chromaticity (LC) curve, so that you can make skin fairer (by increasing the lightness of the skin) without affecting the model's clothing or background.
Red and Skin Tones Protection
When enabled, the effects of the Chromaticity slider and the CC curve will not be applied to skin colors, so that you can increase the chromaticity of your photo without causing skin to appear oversaturated.
Lab Adjustments provides a wealth of curves to alter the look of the image. Below are illustrated explanations of each curve.
The L curve allows to control output lightness based on the input lightness, L=f(L). The histogram on the L curve reflects lightness after the Lab adjustments. This curve allows you to control the lightness without affecting color.
An S-shaped curve applied to the L channel increases image contrast. At the same time this leads to a perceptually desaturated look. Chromaticity adjustments can be used to compensate for this effect.
"a" and "b" Curves
The "a" and "b" curves allow to control output "a" and "b" channels based on the input "a" and "b" channels respectively, a=f(a) and b=f(b).
As indicated by the color bars, the "a" curve allows one to shift colors between green and magenta, and the "b" curve to shift between blue and yellow. This can be used to apply color toning effects.
Black-and-White Color Toning
Color-toning a black-and-white image can be done using one of two methods: the recommended and most intuitive method is by using the Color Toning tool along with the Black-and-White tool. The other, less powerful method is using the a* and b* curves of the L*a*b* Adjustments tool once the image is desaturated. The reason we still describe how to do it without using the Black-and-White and Color Toning tools is that these tools are relatively new additions to RawTherapee, and maybe you're stuck using an older version which lacks these tools, or you're just curious what your options are.
Read about color-toning a black-and-white image the recommended way on the Color Toning tool's page; this section describes how to do it by using the a* and b* curves.
First you need to make the image black-and-white. Do this using any of the available methods: either using the Black-and-White tool, or by decreasing saturation in the Exposure tool, or by decreasing chromaticity in the L*a*b* Adjustments tool. Each tool will lead to a different effect since they work in different ways and in different color-spaces. It's just a matter of taste. Once the image is reduced to grayscale you can give the image a tone by using the a* and b* curves.
To copy just color toning from one image to another, copy the current processing profile to clipboard , then partial-paste it either by right-clicking on a photo in the File Browser and selecting "Processing Profile Operations > Paste - partial", or from the Image Editor tab by Ctrl+clicking on "Paste profile from clipboard" to paste only the L*a*b* Adjustments section of the profile. Note that other adjustments in the L*a*b* Adjustments sections will be pasted as well. Alternatively, the a* and b* curves can be copied and pasted individually. This is another reason for using the recommended method, because it's easier, more precise, to copy and paste the Color Toning and Black-and-White tools.
The LH curve (lightness according to hue) allows to modify the lightness based on hue. To lighten the colors of the particular hue, move the desired point on the LH curve up, and to darken - down.
The CH curve (chromaticity according to hue) allows to control output chromaticity based on the input hue, C=f(H). Using it you can very easily boost or mute only a selected range of colors.
The HH curve (hue according to hue) allows to alter the hue for a specified hue. For example, one could shift reds to be more orange by moving the red point up until the thick horizontal line that appears as the point is being dragged becomes the color you desire. RawTherapee has two HH curves, one in the Lab tools in the Exposure tab, and one in the HSV tool in the Colors tab. The HH curve in the Lab tools has a more restricted range compared to the HH curve in the HSV equalizer, to allow finer adjustments. The range is between the previous and next color, e.g. green could be changed within the range of yellow and blue (as you can see in the curve on the screenshot above). This is useful, for example, for fine-tuning skin tone appearance, removing a greenish pale look by shifting reds and yellows a little towards magenta.
The CC curve (chromaticity according to chromaticity) allows to control output chromaticity based on the input chromaticity, C=f(C). The histogram on the CC curve reflects chromaticity before the adjustment. This allows you to separately adjust the chromaticity of pixels of low and high saturation, so you can boost saturation where needed without causing already saturated zones to clip.
You can use the Show/Hide chromaticity histogram button besides the histogram to help you see the effects of your CC curve tweaks on the histogram, and to help you find the maximum value before you start clipping colors.
The screenshots show what the chromaticity histogram looks like for the untouched image, and then what happens when you increase chromaticity too much (you can do this using the Chromaticity slider, or, as in the screenshot, by sliding the top-right point of the CC curve to the left. Holding the Shift key while you slide the point will help you keep the point at the top).
To find the maximum chromaticity boost you can apply without causing nasty spikes, which will appear as sudden flat regions of color in the image, similar to posterization, all you need to do is click Show/Hide chromaticity histogram if you haven’t done so already, and then slowly boost chromaticity until you notice the histogram begins to spike. The curve does not have to be linear of course.
The LC curve (lightness according to chromaticity) allows to control the output lightness based on the input chromaticity, L=f(C). You can use it on portraits to lighten skin
The LC curve's action is modulated by the Restrict LC to red and skin tones checkbox. Thus the LC curve provides a complex image control, altering lightness based on image chromaticity and also targeting a specified range of hues. With this option enabled, the lightness of only red and skin tones is affected, for example allowing you to make skin fairer and conceal wrinkles and blemishes while preserving the color of the model's clothes and background. When it is disabled, the LC curve acts on other colors as well.
The coloring of the bar on the horizontal LC curve axis changes to reflect which colors the curve applies to, as chosen by the state of the Restrict LC to red and skin tones checkbox.
The CL curve (chromaticity according to lightness) allows to control the output chromaticity based on the input lightness, C=f(L). It allows you to separately control the chromaticity of regions of the image based on their lightness, so you can for example decrease the chromaticity of shadows if they are noisy or for artistic purposes, or increase the chromaticity of dark and mid-tones without affecting the bright sky.